Abstract
The following paper argues for the correlation between one’s personality type, grounded on the Big five confines of personality, and one’s preference for music. There’s a strong correlation between the personality types of extraversion and openness to experience and the preference for the kidney of music. Musical stripes are organized into four groups Reflective and Complex, violent and Rebellious, Upbeat and Conventional, and Energetic and metrical. Backslappers tend to have a preference for Upbeat and Conventional as well as Energetic and metrical music and openness to witness preference for Reflective and Complex and violent and Rebellious music.
One’s thrill position to musical tempo is also prophetic to personality. Individualities that score grandly in extraversion, affability, or meticulousness have a preference for music with fast tempos, whereas wallflowers and openness to experience prefer slow tempos. The way an individual prefers their music is reflective of their personality. The three ways music can be heeded to are emotional, cognitive, or background. Individualities who are neurotic hear music emotionally, individualities who are open to experiencing here to music in a cognitive way, and backslappers are more likely to have music playing in the background.
Personality Revealed Through Preference for Music
PSY 255 Topic 2 Personality Revealed Through Preference of Music
At the moment, it’s hard to travel anywhere without being exposed to some form of music. With the rise of technology, music has come fluently accessible; from downloading music onto one’s phone to television shows devoted to musical stardom to music playing in the grocery store while one shops, the exposure to music is ineluctable. Since there’s a constant sluice of music, a curiosity has developed for chancing a relationship between one’s personality and one’s preference for music. Understanding this correlation can’t only help one better know their tone, as well as the plethora of people that compass one on a diurnal base. Understanding one’s preference for music could also offer empathy; whether one is harkening to a sad song or playing music loudly, one’s personality could be the explanation.
One’s personality can be prophetic of the kidney of music preferred, the preferred tempo for the thrill, and the way one’s favored music is heeded. When looking at the correlation between personality and preference for musical kidneys, exploration set up the strongest correlations with people that have openness to experience and extraversion personalities (Higdon & Stephens, 2008, p. 141). Sensation-seeking personality has also been appreciatively identified with having a strong preference in having a preference for a music kidney. Sensation seeking relates to both extraversion and openness to witness in that all three personalities seek adventures and guests as a way to avoid tedium and find optimal thrill ( Higdon & Stephens, 2008, p. 141).
PSY 255 Topic 2 Personality Revealed Through Preference of Music
To score high in openness to gest means that one tends to be creative and enjoy art, new ideas, and gest, and one that scores high in extraversion tends to seek and take pleasure in social relations and high-energy conditioning( Carlson et al., 2017, p. 203). Musical stripes are organized into four confines that reflect parallels of individual stripes. The first dimension is Reflective and Complex, which consists of the stripes of classical, jazz, blues, and folk. The alternate dimension is violent and Rebellious, which consists of volition, gemstone, and heavy essence, and the third dimension is country, pop, religion, and soundtrack and labeled Upbeat and Conventional. The fourth dimension is Energetic and metrical, which are rap, hipsterism- hop, soul, funk, electronic, and cotillion (Carlson et al., 2017, p. 204).
According to Higdon & Stephens (2008), when it comes to choosing music, backslappers and sensation campaigners choose music “characterized by strong measures, discordant chimes, and fast tempo” (p. 141), which correlates with harder forms of music, similar as pop, cotillion, and rap( Langmeyer, Guglhor- Rudan, & Tarnai, 2012,p. 121). People that are open to guests, backslappers, and sensation campaigners tend to prefer stripes of music that offer them the stimulation they crave, similar to “heavy essence, punk, grunge, electronic jazz, techno, and hard gemstone” (Higdon & Stephens, 141). People that score grandly in the openness to witness personality sphere are appreciatively identified with relish Reflective and Complex stripes and violent and rebellious stripes (Carlson et al., 2017, p. 204).
PSY 255 Topic 2 Personality Revealed Through Preference of Music
Whereas people that score grandly in extraversion, meticulousness, and affability are appreciatively identified with relish for Upbeat and Conventional stripes, with backslappers liking Energetic and metrical stripes as well (Carlson et al, 2017, p. 204). The tempo of music one prefers to hear to is an index of personality since each personality type from the Big Five personality dimension has a different optimal position of thrill that one seeks, and music has specific parcels of an encouragement pattern that influences thrill situations. Therefore, music is used to alter arousal positions by either adding energy situations or reducing pressure (Lim, 2008, pp. 148- 149).
Slow tempos are associated to low- thrill and sad music, whereas fast tempos are identified with high-thrill and happy music, with the mode of music being associated with happiness when the music is in major mode and sadness when the music is in minor mode (Dobrota & Reic Ercegovac, 2015,p. 236). According to Dobrota & Reic Ercegovac( 2015), “changes in tempo affect thrill, but not the mood, while the changes in mode affect mood, but not the thrill” (p. 236); this could explain why people with certain personality traits have a preference for a specific musical tempo.
References
Higdon, L.G., & Stephens, E.C.( 2008). Preferred music kidney The influence of major personality factors. Psi Chi Journal Of Undergraduate Research, 13( 3), -147. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=36116058&point=eds-live&compass=point
Carlson,E., Saan,P., Burger,B., & Toiviainen,P.( 2017). Personality and music preference using social trailing in extract- selection. PsychomusicologyMusic,
Mind, and Brain, 27( 3), 203- 212. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=pdh&AN=2017-33543-001&point=eds-live&compass=point
Dobrota,S., & Reic Ercegovac,I.( 2015). The relationship between music preferences of different modes, tempo, and personality traits – counteraccusations for music pedagogy. Music Education Research, 17( 2), 234- 247. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.as px?direct=true&db=a9h&AN=101869235&point=eds-live&compass=point
Langmeyer,A., Guglhor- Rudan,A., & Tarnai,C.( 2012). What do music preferences reveal about personality? Across-cultural replication using tone- r ratings and conditions of music samples. Journal of Individual Differences, 33( 2),- 130. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=pdh&AN=2012-03639-008&point=eds-live&compass=point
Chamorro- Premuzic,T., & Furnham,A.( 2007). Personality and music Can traits explain how people use music in everyday life? British Journal Of Psychology,( 2), 175- 185. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=25188047&point=eds-live&compass=point
Kantor- Martynuska, J.( 2009). The listener’s disposition and perceived tempo and loudness of the music. European Journal of Personality, 23( 8), 655- 673. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=a9h& AN=45113306&point=eds-live&compass=point
Chamorro- Premuzic,T., Fagan,P., & Furnham,A.(n.d.). Personality and uses of music as predictors of preferences for music are consensually classified as happy, sad, complex, and social. Psychology of Aesthetics Creativity and the trades, 4( 4),- 213. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=edswss&AN=000285232300003&site=eds-live&scope=site
Crust, L., & Clough, P.J.( 2006). The influence of meter and personality in the abidance response to motivational asynchronous music. Journal of Sports Science, 24( 2), 187- 195. Recaptured from
https//lopes.idm.oclc.org/login?
http//search.ebscohost.com/login.aspx?direct=true&db=ccm&AN=106432368&site=eds-live&scope=site